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Max Frisch Friedrich Durrnmatt

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Max Frisch Friedrich Durrnmatt
Max Frisch Friedrich Durrnmatt

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Max Frisch Friedrich Durrnmatt

₹ 399

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Highlights

  • ENGLISH

    Language
  • 290

    Pages
  • 9780857426604

    ISBN
  • 110 mm

    Width
  • 176 mm

    Height
  • 216 gram

    Weight
  • PAPERBACK

    Binding
  • 2018

    Publish Date
  • 100 mm

    Spine Width

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    Description

    Documenting the correspondence between the two most famous Swiss authors of the twentieth century Frisch and Friedrich Durrenmatt—these letters chart how a friendship that was at first both critical and respectful turned, under the pressure of their increasing fame, into a more teasing mode with a hint of irony, then became seriously endangered, until it finally failed. Peter rüedi’s introduction positions The letters within the context of the authors’ lives and work, and larger historical events. Detailed notes and a chronicle complete the volume, along with photographs and facsimiles of the original letters. ‘Max Frisch and Friedrich Durrenmatt, the two...  Read More

    About the Author

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    Max Frisch

    Max Rudolph Frisch was born in 1911 in Zurich; the son of Franz Bruno Frisch (an architect) and Karolina Bettina Frisch (née Wildermuth). After studying at the Realgymnasium in Zurich, he enrolled at the University of Zurich in 1930 and began studying German literature, but had to abandon due to financial problems after the death of his father in 1932. Instead, he started working as a journalist and columnist for the Neue Zürcher Zeitung (NZZ), one of the major newspapers in Switzerland. With the NZZ he would entertain a lifelong ambivalent love-hate relationship, for his own views were in stark contrast to the conservative views promulgated by this newspaper. In 1933 he travelled through eastern and south-eastern Europe, and in 1935 he visited Germany for the first time.

    From 1936 to 1941 he studied architecture at the ETH Zurich. His first and still best-known project was in 1942, when he won the invitation of tenders for the construction of a public swimming bath right in the middle of Zurich (the Letzigraben).

    In 1947, he met Bertolt Brecht in Zurich. In 1951, he was awarded a grant by the Rockefeller Trust and spent one year in the U.S. After 1955 he worked exclusively as a freelance writer. His experience of postwar Europe is vividly described in his Tagebuch (Diary) for 1946-1949; it contains the first drafts of later fictional works.

    During the 1950s and 1960s Frisch created some outstanding novels that explored problems of alienation and identity in modern societies. These are Im Not Stiller (1954), Homo Faber (1957) and Wilderness of Mirrors/Gantenbein (1964). In addition, he wrote some highly intelligent political dramas, such as Andorra and The Fireraisers. He continued to publish extracts from his diaries. These included fragments from contemporary media reports, and paradoxical questionnaires, as well as personal reflections and reportage. he fell in love with a woman called Antonia Quick in 1969.

    Max Frisch died of cancer

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