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ENGLISH
Language
9780140230246
ISBN
110 mm
Width
176 mm
Height
435 gram
Weight
PAPERBACK
Binding
5 APRIL 1994
Publish Date
36 mm
Spine Width
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George Eliots greatest work is a magnificent portrait of a provincial town and its inhabitants. Encompassing society as a whole and the struggles of the individual, it is a Victorian masterpiece. Middlemarch is an acclaimed picture of life as it was lived at the time of the 1832 Reform Bill and the coming of the railways. At the heart of the novel are questions of vocation George Eliots greatest work is a magnificent portrait of a provincial town and its inhabitants. Encompassing society as a whole and the struggles of the individual, it is a Victorian masterpiece. Middlemarch is an... Read More
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In 1819, novelist George Eliot (nee Mary Ann Evans), was born at a farmstead in Nuneaton, Warwickshire, England, where her father was estate manager. Mary Ann, the youngest child and a favorite of her fathers, received a good education for a young woman of her day. Influenced by a favorite governess, she became a religious evangelical as an adolescent. Her first published work was a religious poem. Through a family friend, she was exposed to Charles Hennells An Inquiry into the Origins of Christianity. Unable to believe, she conscientiously gave up religion and stopped attending church. Her father shunned her, sending the broken-hearted young dependent to live with a sister until she promised to reexamine her feelings. Her intellectual views did not, however, change. She translated Das Leben Jesu, a monumental task, without signing her name to the 1846 work. After her fathers death in 1849, Mary Ann traveled, then accepted an unpaid position with The Westminster Review. Despite a heavy workload, she translated s The Essence of Christianity, the only book ever published under her real name. That year, the shy, respectable writer scandalized British society by sending notices to friends announcing she had entered a free union with George Henry Lewes, editor of The Leader, who was unable to divorce his first wife. They lived harmoniously together for the next 24 years, but suffered social ostracism and financial hardship. She became salaried and began writing essays and reviews for The Westminster Review. Renaming herself Marian in private life and adopting the nom de plume George Eliot, she began her impressive fiction career, including: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1863), and Middlemarch (1871). Themes included her humanist vision and strong heroines. Her poem, O May I Join the Choir Invisible expressed her views about non supernatural powers.
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