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The Great Victorian Collection By Brian Moore-Paperback

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The Great Victorian Collection By Brian Moore-Paperback

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Highlights

  • ENGLISH

    Language
  • 171

    Pages
  • 9780140044997

    ISBN
  • 110 mm

    Width
  • 180 mm

    Height
  • 101 gram

    Weight
  • PAPERBACK

    Binding
  • 1977

    Publish Date
  • 8 mm

    Spine Width

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    Description

    On a weekend visit to Carmel, California, sober and respectable Anthony Maloney has an extraordinary dream which is to change the pattern of his entire life. He dreams that outside his hotel window, on a previously empty parking-lot, an open-air market has appeared containing dazzling collection of priceless Victoriana. Laid out before him he sees a vast array of exquisite furniture, paintings, jewellery, tapestries and musical instruments - a fantasy beyond measure for Maloney, a lifelong enthusiast. Waking from this strange reverie, he crosses to window, only to discover that his dream has come true... Set in fantastic, surreal world, The...  Read More

    About the Author

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    Brian Moore

    Brian Moore (1921–1999) was born into a large, devoutly Catholic family in Belfast, Northern Ireland. His father was a surgeon and lecturer, and his mother had been a nurse. Moore left Ireland during World War II and in 1948 moved to Canada, where he worked for the Montreal Gazette, married his first wife, and began to write potboilers under various pen names, as he would continue to do throughout the 1950s. The Lonely Passion of Judith Hearne (1955, now available as an NYRB Classic), said to have been rejected by a dozen publishers, was the first book Moore published under his own name, and it was followed by nineteen subsequent novels written in a broad range of modes and styles, from the realistic to the historical to the quasi-fantastical, including The Luck of Ginger Coffey, An Answer from Limbo, The Emperor of Ice-Cream, I Am Mary Dunne, Catholics, Black Robe, and The Statement. Three novels—Lies of Silence, Color of Blood, and The Magician’s Wife—were short-listed for the Booker Prize, and The Great Victorian Collection won the James Tait Black Memorial Prize. After adapting The Luck of Ginger Coffey for film in 1964, Moore moved to California to work on the script for Alfred Hitchcock’s Torn Curtain. He remained in Malibu for the rest of his life, remarrying there and teaching at UCLA for some fifteen years. Shortly before his death, Moore wrote, “There are those stateless wanderers who, finding the larger world into which they have stumbled vast, varied and exciting, become confused in their loyalties and lose their sense of home. I am one of those wanderers.”