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Ingo

₹ 160

₹ 349 54% OFF You save ₹189
Ingo
Ingo

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32 Points Quality Check

Ingo

₹ 160

₹ 349 54% OFF You save ₹189
  • 32 Quality Checks
  • Spine : • The spine is undamaged, however there are noticeable creases.
    • Dried up Spine
  • Inside : • Could be light toned pages
    • Highlighted spots may be present
  • Overall : • Designated usage on front & back cover
    • Ex-library, Sunned, The dust jacket isn't applicable for this criteria
    • Good books are perfectly in usable condition with all the pages intact with general signs of usage like some wrinkles on the cover page or spine or some very slight damage on the cover.
  • 32 Quality Checks
  • Spine : • Intact Spine
    • Least Creasing
  • Inside : • Some of the pages may be frayed
    • Rarely marked spot could be present
    • No underlining or highlighting of text
  • Overall : • Visible spots due to long shelf life
    • Unused edition
    • Clean Books in which very slight signs of usage appear like very fine wrinkles on the cover page, and slight yellowness of edges of pages.

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Highlights

  • ENGLISH

    Language
  • 336

    Pages
  • 9780007204885

    ISBN
  • 129 mm

    Width
  • 198 mm

    Height
  • 322 gram

    Weight
  • PAPERBACK

    Binding
  • 2 MAY 2006

    Publish Date
  • 21 mm

    Spine Width

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    Description

    I wish I was away in Ingo, Far across the sea, Sailing over the deepest waters, Where love nor care can trouble me... Sapphires father mysteriously vanishes into the waves off the Cornwall coast where her family has always lived. She misses him terribly, and she longs to hear his spellbinding tales about the Mer, who live in the underwater kingdom of Ingo. Perhaps that is I wish I was away in Ingo, Far across the sea, Sailing over the deepest waters, Where love nor care can trouble me... Sapphires father mysteriously vanishes into the waves off the Cornwall coast...  Read More

    About the Author

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    Helen Dunmore

    I was born in December 1952, in Yorkshire, the second of four children. My father was the eldest of twelve, and this extended family has no doubt had a strong influence on my life, as have my own children. In a large family you hear a great many stories. You also come to understand very early that stories hold quite different meanings for different listeners, and can be recast from many viewpoints.

    Poetry was very important to me from childhood. I began by listening to and learning by heart all kinds of rhymes and hymns and ballads, and then went on to make up my own poems, using the forms I’d heard. Writing these down came a little later.

    I studied English at the University of York, and after graduation taught English as a foreign language in Finland.

    At around this time I began to write the poems which formed my first poetry collection, The Apple Fall, and to publish these in magazines. I also completed two novels; fortunately neither survives, and it was more than ten years before I wrote another novel.

    During this time I published several collections of poems, and wrote some of the short stories which were later collected in Love of Fat Men. I began to travel a great deal within the UK and around the world, for poetry tours and writing residences. This experience of working in many different countries and cultures has been very important to my work. I reviewed poetry for Stand and Poetry Review and later for The Observer, and subsequently reviewed fiction for The Observer, The Times and The Guardian. My critical work includes introductions to the poems of Emily Brontë, the short stories of D H Lawrence and F Scott Fitzgerald, a study of Virginia Woolf’s relationships with women and Introductions to the Folio Societys edition of Anna Karenina and to the new Penguin Classics edition of Tolstoys My Confession.

    During the 1980s and early 1990s I taught poetry and creative writing, tutored residential writing courses for t

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