Shepard was born in Bridgeport, Connecticut. He received a B.A. at Trinity College in 1978 and an MFA from Brown University in 1980. He currently teaches creative writing and film at Williams College. His wife, Karen Shepard, is also a novelist. They are on the editorial board of the literary magazine The Common, based at Amherst College.[1]
[edit]Writing

Shepards work has been published in McSweeneys, Granta, The Atlantic Monthly, Esquire, Harpers, The New Yorker, The Paris Review, Ploughshares,[2] Triquarterly, and Playboy. His short story collection — Like Youd Understand, Anyway — won the Story Prize in 2008, and was nominated for a National Book Award in 2007. The novel Project X won the 2005 Massachusetts Book Award. Along with writing novels and short stories, Shepard has also drafted two screenplays, one about Kenneth Donaldson and the OConnor v. Donaldson case, and the other a movie adaptation of Project X.
Several features characterize Shepards writings, including a tendency to finish his stories with what Charles Baxter called an in medias res ending, or an ending in the middle of the plots events; a thematic focus on what Shepard calls the costs of certain kinds of ethical passivity; and a preference for events-driven plots that fight against what Shepard terms the tyranny of the epiphany, referencing the more psychological, less active plots popularized by short story writers such as James Joyce. Additionally, Shepard writes from the point of view of characters of a wide variety of nationalities.[3]
Shepards stories often rely on substantial historical research based on real events. His recent collection, Like Youd Understand Anyway, includes stories about the Greek playwright Aeschylus, the Chernobyl disaster and the 1964 Alaska earthquake. The collection acknowledges over sixty non-fiction works that helped to shape the historical detail in the stories. Similarly, Shepards 2011 collection You Think That’s Bad also cites an extens